{"id":25286,"date":"2022-10-13T18:08:03","date_gmt":"2022-10-13T18:08:03","guid":{"rendered":"https:\/\/lifeandstyle.ro\/?p=25286"},"modified":"2022-10-14T19:18:03","modified_gmt":"2022-10-14T19:18:03","slug":"tendinte-piata-romaneasca-de-arta-in-4-topuri","status":"publish","type":"post","link":"https:\/\/lifeandstyle.ro\/index.php\/2022\/10\/13\/tendinte-piata-romaneasca-de-arta-in-4-topuri\/","title":{"rendered":"Tendin\u0163e: pia\u021ba rom\u00e2neasc\u0103 de art\u0103 \u00een 4 topuri"},"content":{"rendered":"\n

Institutul de Management al Artei<\/a> (IMA) a publicat o radiografie a pie\u021bei rom\u00e2ne\u0219ti de art\u0103, analiz\u00e2nd evolu\u021bia acesteia de-a lungul ultimilor 3 ani, \u00een premier\u0103, \u00een forma u\u0219or lecturabil\u0103 \u0219i circulabil\u0103 a unei serii de 4 topuri.<\/p>\n\n\n\n

\"\"
Interior tradi\u0163ional, Ion \u0162uculescu<\/em><\/figcaption><\/figure>\n\n\n\n

Topurile sau listele au fost realizate \u021bin\u00e2nd cont de cel mai obiectiv criteriu \u2013 al valorii de adjudecare public\u0103 a operelor de art\u0103, conform istoricului tranzac\u021bional al caselor de licita\u021bii <\/a>rom\u00e2ne\u0219ti, dar \u0219i de al\u021bi factori relevan\u021bi, precum: raritatea \u00een pia\u021b\u0103 a operei artistului, frecven\u021ba expozi\u021biilor, shiftul c\u0103tre noile genera\u021bii de colec\u021bionari.<\/p>\n\n\n\n

\"\"
Fundi\u0163a ro\u015fie, Nicolae Tonitza<\/em><\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Cele 4 topuri, publicate la \u00eenceputul noului sezon al pie\u021bei rom\u00e2ne\u0219ti de art\u0103, aliniaz\u0103 arti\u0219tii contemporani investibili ce au urmat (\u0219i promit s\u0103 urmeze) un trend ascendent \u00een pia\u021ba rom\u00e2neasc\u0103 de art\u0103, cei 10 Mari Mae\u0219tri tranzac\u021biona\u021bi peste 100.000 de euro \u00een pia\u021ba rom\u00e2neasc\u0103 de art\u0103, o list\u0103 a arti\u0219tilor de patrimoniu ast\u0103zi subevalua\u021bi \u00een pia\u021b\u0103, dar \u0219i o list\u0103 de probabilit\u0103\u021bi cu privire la cum vor evolua anumi\u021bi arti\u0219ti contemporani tineri (supercontemporani).<\/p>\n\n\n\n

Primul Top \u201c20+1 arti\u0219ti contemporani investibili. Pariuri pentru viitor\u201d<\/h4>\n\n\n\n

Top \u201c20+1\u201d concluzioneaz\u0103 pe scurt o caracterizare a artistului, o predic\u021bie de evolu\u021bie \u0219i c\u00e2teva argumente pentru probabila evolu\u021bie pozitiv\u0103 de pia\u021b\u0103 a artistului listat. Lista\/topul este alc\u0103tuit de clasici ai contemporanei care au dat dovad\u0103 de rezilien\u021b\u0103, dup\u0103 ani de cotare medie sau favorabil\u0103, \u0219i au izbutit s\u0103 fac\u0103 trecerea dinspre gustul vechilor genera\u021bii de colec\u021bionari c\u0103tre cel al noilor genera\u021bii de colec\u021bionari (colec\u021bionarul contemporan), precum \u0219i din arti\u0219ti contemporani ce s-au apreciat treptat \u0219i continuu \u00een ultimii 3-5 ani, pentru argumentele de pia\u021b\u0103 analizate, \u0219i probabil vor continua s\u0103 se aprecieze financiar, pentru acelea\u0219i argumente.<\/p>\n\n\n\n

\"\"
Anemone, Constantin Piliu\u0163\u0103<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Constantin Piliu\u021b\u0103, Corneliu Baba, Felix Aftene, Sabin B\u0103la\u0219a, \u0218tefan C\u00e2l\u021bia, Jules Perahim sunt c\u00e2\u021biva dintre cei 21 de arti\u0219ti care au \u00eenregistrat, \u00een ultimii ani, argumente de pia\u021b\u0103 \u0219i rezultate promi\u021b\u0103toare.<\/p>\n\n\n\n

\"\"
Lumea ca teatrul, \u015etefan C\u00e2l\u0163ia<\/em><\/figcaption><\/figure>\n\n\n\n

Arta contemporan\u0103 este privit\u0103 ast\u0103zi cu \u00eencredere, fiind considerat\u0103 \u201einvesti\u021bia omului educat\u201d, precum \u0219i una dintre cele mai utile \u0219i profitabile oportunit\u0103\u021bi de investi\u021bie, apreciat\u0103, a\u0219adar, nu doar pentru valen\u021bele estetice \u0219i educative ca produs cultural, c\u00e2t \u0219i pentru poten\u021bialul de c\u00e2\u0219tig din cre\u0219terea valorii de pia\u021b\u0103.<\/p>\n\n\n\n

\u201cTop 10 clasici peste 100.000 de euro\u201d<\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Aceast\u0103 a doua list\u0103 aliniaz\u0103 cei mai reprezentativi arti\u0219ti pentru arta rom\u00e2neasc\u0103 important\u0103, dup\u0103 rezultatele de pia\u021b\u0103 din ultimii ani, prezent\u00e2nd grafic sugestiv scara arti\u0219tilor, recordul ob\u021binut \u0219i valoarea opere de art\u0103. \u00cen topul tranzac\u021biilor de pe pia\u021ba rom\u00e2neasc\u0103 de art\u0103 r\u0103m\u00e2n Nicolae Grigorescu, Nicolae Tonitza \u015fi \u015etefan Luchian iar lista Galei de 10 este \u00eenchis\u0103 de recent intratul Nicolae Vermont.<\/p>\n\n\n\n

\"\"
Fata cu oglinda, Nicolae Grigorescu<\/em><\/figcaption><\/figure>\n\n\n\n

Rezultatele prezentate \u00een cel de-al doilea top demonstreaz\u0103 continuarea trendului de cre\u0219tere a pie\u021bei rom\u00e2ne\u0219ti de art\u0103, dar \u0219i interesului colec\u021bionarilor \u0219i investitorilor pentru segmentul artei de patrimoniu, al arti\u0219tilor istorici, expu\u0219i \u00een muzeele din Rom\u00e2nia.<\/p>\n\n\n\n

\"\"
La pian, Nicolae Vermont<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\u201cTop 20 probabilit\u0103\u021bi. 20 de arti\u0219ti istorici muzealiza\u021bi de speciali\u0219ti, azi subevalua\u021bi \u00een pia\u021b\u0103 (500-5.000 de euro)\u201d<\/h4>\n\n\n\n

Aceasta prezint\u0103 o list\u0103 a arti\u0219tilor care au avut o evolu\u021bie modest\u0103 \u00een pia\u021ba rom\u00e2neasc\u0103 de art\u0103 a ultimilor ani, fiind subevalua\u021bi \u00een pia\u021b\u0103 (\u00een special datorit\u0103 deficitului de organizare de expozi\u021bii de art\u0103 important\u0103 de c\u0103tre re\u021beaua na\u021bional\u0103 a muzeelor, care s\u0103 \u00eei readuc\u0103 \u00een aten\u021bie, precum \u0219i a produc\u021biei foarte sc\u0103zute de literatur\u0103 de specialitate), chiar dac\u0103 operele acestor arti\u0219ti sunt expuse permanent \u00een toate muzeele importante de art\u0103 rom\u00e2neasc\u0103. \u0218tefan Dimitrescu, Jean Alexandru Steriadi, Eusta\u021biu Stoenescu sau Ion-Theodorescu Sion sunt doar c\u00e2\u021biva dintre arti\u0219tii care alc\u0103tuiesc lista, arti\u0219ti muzeali importan\u021bi, care au l\u0103sat o mo\u0219tenire artistic\u0103 bogat\u0103, variat\u0103 \u0219i durabil\u0103 \u0219i care au poten\u021bialul calitativ \u0219i masa creativ\u0103 de a reajunge \u00een prim-plan, \u00een cazul \u00een care sunt reintrodu\u0219i \u00een agenda aten\u021biei publice, prin organizarea de expozi\u021bii relevante \u0219i realizarea de monografii \u00een tiraje suficiente.<\/p>\n\n\n\n

\"\"
Peisaj de toamn\u0103, Adrian Ghenie<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Analiza prezint\u0103 publicului detalii despre activitatea creatoare a arti\u0219tilor, previziuni cu privire la evolu\u021bia acestora, dar \u0219i poten\u021bialele evenimente culturale retrospective cu scopul de a restaura figurile arti\u0219tilor clasici.<\/p>\n\n\n\n

\u201cTop 13 supercontemporani de urm\u0103rit\u201d<\/h4>\n\n\n\n

Aceasta prezint\u0103 lista c\u00e2torva dintre tinerii arti\u0219ti ce se str\u0103duiesc pe scena artei contemporane \u0219i argumentele pentru care IMA concluzioneaz\u0103 o viitoare apreciere a cota\u021biei acestora. Irina Dragomir, \u0218tefan Ungureanu, Daniel R\u0103dulescu, Obie Platon sau Mihai Mure\u0219an sunt c\u00e2\u021biva din cei lista\u021bi, care merit\u0103 \u00een opinia IMA aten\u021bia noilor genera\u021bii de colec\u021bionari sau investitori educa\u021bi, pentru poten\u021bialul acestora de cre\u0219tere a valorii operelor \u0219i a cotei de pia\u021b\u0103 pe termen mediu \u0219i lung. Nu este mai pu\u021bin de remarcat c\u0103 operele realizate de t\u00e2nara genera\u021bie de arti\u0219ti, dar \u0219i de cei istorici lista\u021bi, au, \u00een contextul infla\u021bionist, capacitatea de a p\u0103stra valoarea banilor, dincolo de poten\u021bialul de a aduce posesorilor c\u00e2\u0219tig efectiv din inspirata investi\u021bie.<\/p>\n\n\n\n

Analiza pie\u021bei rom\u00e2ne\u0219ti de art\u0103 \u00een 4 topuri este public\u0103 aici \u0219i cuprinde clasific\u0103rile complete ale arti\u0219tilor \u00een func\u021bie de datele obiective monitorizate de Institutul de Management al Artei.<\/p>\n","protected":false},"excerpt":{"rendered":"

Institutul de Management al Artei (IMA) a publicat o radiografie a pie\u021bei rom\u00e2ne\u0219ti de art\u0103,<\/p>\n","protected":false},"author":2,"featured_media":25289,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9,4521],"tags":[2969,568,5078,565,566,1193,37],"class_list":["post-25286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arta","category-tendinte-3","tag-artisti-contemporani","tag-constantin-piliuta","tag-institutul-de-management-al-artei","tag-nicolae-grigorescu","tag-nicolae-tonitza","tag-piata-de-arta","tag-tendinte"],"yoast_head":"\nTendin\u0163e: pia\u021ba rom\u00e2neasc\u0103 de art\u0103 \u00een 4 topuri - Life and Style<\/title>\n<meta name=\"description\" content=\"Institutul de Management al Artei (IMA) a publicat o radiografie pentru pia\u0163a rom\u00e2neasc\u0103 de art\u0103, pe baza evolu\u021biei ultimilor 3 ani.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lifeandstyle.ro\/index.php\/2022\/10\/13\/tendinte-piata-romaneasca-de-arta-in-4-topuri\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tendin\u0163e: pia\u021ba rom\u00e2neasc\u0103 de art\u0103 \u00een 4 topuri - 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