{"id":30757,"date":"2024-03-08T21:47:35","date_gmt":"2024-03-08T21:47:35","guid":{"rendered":"https:\/\/lifeandstyle.ro\/?p=30757"},"modified":"2024-03-10T19:21:47","modified_gmt":"2024-03-10T19:21:47","slug":"mitul-feminin-in-pictura-clasica-si-contemporana","status":"publish","type":"post","link":"https:\/\/lifeandstyle.ro\/index.php\/2024\/03\/08\/mitul-feminin-in-pictura-clasica-si-contemporana\/","title":{"rendered":"Mitul feminin \u00een pictura clasic\u0103 \u015fi contemporan\u0103"},"content":{"rendered":"\n

Poate nicidecum \u00eent\u00e2mpl\u0103tor, celebra Giocond\u0103  sau Mona Lisa este considerat\u0103 cea mai renumit\u0103 oper\u0103 din istoria picturii. Realizat\u0103 la \u00eenceputul secolului al XVI-lea  de c\u0103tre Leonardo da Vinci \u015fi expus\u0103 la Muzeul Luvru, tabloul reprezent\u00e2nd o femeie cu expresie g\u00e2nditoare \u0219i un sur\u00e2s abia schi\u021bat, este admirat de milioane de oameni iar pu\u021bine altele au fost at\u00e2t de mult reproduse sau discutate.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Mona Lisa<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

Z\u00e2mbetul inocent si ispititor al Giocondei este  subiectul multor interpret\u0103ri \u015fi exprim\u0103 \u00eensu\u015fi eternul feminin.<\/p>\n\n\n\n

Portret, nud, tip reprezentativ, \u00een diferite ipostaze sau activit\u0103\u0163i, femeia a reprezentat subiectul operelor de art\u0103 pentru extrem de mul\u0163i arti\u015fti vizuali at\u00e2t clasici c\u00e2t \u015fi contemporani.<\/p>\n\n\n\n

Expozi\u0163ia MuzeleLOR<\/strong><\/h4>\n\n\n\n

Expozi\u021bia Artmark \u201cMari Mae\u0219tri\u201d, cu lucr\u0103ri pentru Licita\u021bia de Prim\u0103var\u0103 2024 care se va desf\u0103\u015fura pe 21 martie, este intitulat\u0103 \u201cMuzeleLOR\u201d <\/a>(ale marilor mae\u015ftri), fiind astfel \u00een mod evident dedicat\u0103 prezen\u0163ei femeii \u00een lucr\u0103rile mae\u015ftrilor. De altfel, \u00een aceast\u0103 expozi\u0163ie se pot admira \u0219i dou\u0103 dintre controversatele picturi ale lui Nicolae Toniza cu trupuri feminine \u00een costumul Evei \u2013 un \u201cNud\u201d realizat \u00een 1927, ce provine din colec\u021bia unui mare colec\u021bionar interbelic de art\u0103, dr. Iosif Dona, \u0219i \u201cNud \u00een fotoliu ro\u0219u\u201d, ce provine din colec\u021bia gen. Vasile Parizescu.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Nud, Nicolae Tonitza<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Nud \u00een fotoliu ro\u015fu, Nicolae Tonitza, 80 000 – 120 000 euro<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

De altfel, al\u0103turi de Tonitza – pasionat de portrete de copile \u015fi nuduri, \u015fi ceilal\u0163i doi titani ai picturii rom\u00e2ne\u015fti, Nicolae Grigorescu \u015fi \u015etefan Luchian au avut, nu de pu\u0163ine ori, \u00een centrul aten\u0163iei femeia.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Afize,<\/a> Nicolae Tonitza; Irina<\/a>, Nicolae Tonitza<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

Flor\u0103reas\u0103, cus\u0103toreas\u0103, \u0163\u0103r\u0103ncu\u0163\u0103 sau odalisc\u0103 sunt nume de lucr\u0103ri care se \u00eent\u00e2lnesc cu prec\u0103dere \u00een expozi\u0163iile de art\u0103 rom\u00e2neasc\u0103, inclusiv \u00een cea prezentat\u0103 mai \u00eenainte. C\u00e2teva dintre acestea sunt prezentate mai jos, cu o evaluare a lor pentru licita\u0163ie.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Cus\u0103toreas\u0103, Nicolae Enea, 1200-800; Lectur\u0103, Nicolae Vermont, 3.500 – 5.500. euro<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Baia Suzanei, Nicolae Vermont<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Univers marin, Sabin B\u0103la\u015fa, 5 000 – 8 000 euro<\/em><\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Cus\u0103toreas\u0103, Camil Ressu, 6000 – 9000 euro; J\u00e1nos Czencz, Odalisc\u0103 1200 euro<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

Dac\u0103 Tonitza a f\u0103cut din tablourile cu nuduri un gen independent al picturii, \u015etefan Luchian \u015fi-a pictat \u015fi el, \u00een tinere\u0163e,  aleasa inimii, a\u015fa cum a f\u0103cut \u015fi \u00een lucrarea intitulat\u0103 \u201cPrim\u0103var\u0103 (Dou\u0103 muze)\u201d, al c\u0103rui pre\u0163 de achizi\u0163ie a atins pragul psihologic de 300 000 de euro la o licita\u0163ie Goldart.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Prim\u0103vara (Dou\u0103 muze), \u015etefan Luchian<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00cen acela\u015fi timp, Nicolae Grigorescu picteaz\u0103 femeia tot \u00eentr-un cadru bucolic, lucr\u0103rile cu \u0163\u0103r\u0103ncu\u0163e fiind deasemenea achizi\u0163ionate la pre\u0163uri record.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Fata cu oglind\u0103, N. Grigorescu, adjudecat cu 70 000 euro, Licita\u0163ie Artmark<\/em><\/p>\n\n\n\n

Este necesar \u00een acest context s\u0103 \u00eel \u00eencadr\u0103m \u015fi pe Theodor Pallady, lucrarea sa “Nud pe canapea” a fost v\u00e2ndut cu 145.000 de euro la o licita\u0163ie Goldart \u00een anul 2009.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Femeie pe canapea, Theodor Pallady<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

De la femeile rubensiene la cele \u201cciudate\u201d ale  lui Modigliani<\/strong><\/h4>\n\n\n\n

Percep\u021bia asupra formelor pe care o femeie trebuie s\u0103 le prezinte s-a modificat \u00een cursul anilor \u015fi aceasta datorat\u0103 modului \u00een care lumea \u00een\u021belege \u0219i interpreteaz\u0103 frumosul.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Rubens<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

De la o perioad\u0103 la alta, p\u0103rerile s-au modificat, \u00een secolul XVI-XVII fiind la mod\u0103 femeile rubensiene. La vremea respectiv\u0103, societatea percepea o femeie frumoas\u0103 ca fiind una corpolent\u0103, deci rubensian\u0103, \u00een care formele corpului sunt eviden\u021biate. Rubens a realizat o serie larg\u0103 de tablouri ce prezint\u0103 nuduri de femeie, iar acesta a pus un accent asupra frumuse\u021bii exterioare pe care femeile le aveau.<\/p>\n\n\n\n

Nudul feminin \u00een art\u0103<\/strong><\/h4>\n\n\n\n

Nudul uman, \u00een special cel feminin, a fost un subiect frecvent abordat \u00een art\u0103 de-a lungul istoriei. De la picturile \u0219i sculpturile din antichitate p\u00e2n\u0103 la operele contemporane, nudul a fost un mijloc prin care arti\u0219tii \u0219i-au exprimat creativitatea, au explorat formele corpului uman \u0219i au provocat \u00eentreb\u0103ri despre sexualitate, identitate \u0219i frumuse\u021be.<\/p>\n\n\n\n

Odat\u0103 cu trecerea timpului, nudul \u00een arta contemporan\u0103 a \u00eenceput s\u0103 se \u00eendep\u0103rteze de conven\u021biile clasice \u0219i s\u0103 abordeze subiecte mai complexe \u0219i provocatoare. Arti\u0219tii contemporani utilizeaz\u0103 nudul pentru a examina corpul \u00eentr-un mod mai realist, dezv\u0103luind vulnerabilitatea \u0219i imperfec\u021biunile umane<\/p>\n\n\n\n

\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Amedeo Modigliani – Portrait de femme (1918)<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

Amedeo Modlgliani, cel mai mare pictor italian al secolului trecut, a fost  pasionat de portrete \u015fi nuduri iar femeile surprinse de artist pe p\u00e2nz\u0103, de\u015fi extrem de interesante, pot fi considerate ciudate.   <\/p>\n\n\n\n

<\/p>\n\n\n\n

Nudul feminin este una dintre temele favorite ale Paulei Craioveanu<\/a>, artist contemporan consacrtat, iar aceasta confer\u0103 acestuia \u00een operele sale senzualitate, mister \u015fi sensibilitate.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Grafic\u0103, Paula Craioveanu<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Nudul \u00een Interior, pictur\u0103, PaulaCraioveanu<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

Nudurile Paulei Craioveanu <\/a>sunt deseori plasate \u00een atmosfera unor decoruri de interior, cre\u00e2nd astfel o intimitate special\u0103 care induce o stare de reverie.<\/p>\n","protected":false},"excerpt":{"rendered":"

Poate nicidecum \u00eent\u00e2mpl\u0103tor, celebra Giocond\u0103  sau Mona Lisa este considerat\u0103 cea mai renumit\u0103 oper\u0103 din<\/p>\n","protected":false},"author":2,"featured_media":30758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[626,5904,566,4124,153,4123],"class_list":["post-30757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arta","tag-casa-de-licitatii-artmark","tag-mona-lisa","tag-nicolae-tonitza","tag-nuduri","tag-paula-craioveanu","tag-picturi"],"yoast_head":"\nMitul feminin \u00een pictura clasic\u0103 \u015fi contemporan\u0103 - Life and Style<\/title>\n<meta name=\"description\" content=\"Portret, nud, tip reprezentativ, \u00een diferite ipostaze sau activit\u0103\u0163i, mitul feminin a reprezentat deseori subiectul operelor de art\u0103\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lifeandstyle.ro\/index.php\/2024\/03\/08\/mitul-feminin-in-pictura-clasica-si-contemporana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mitul feminin \u00een pictura clasic\u0103 \u015fi contemporan\u0103 - 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